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| 類型/形式： | Criticism, interpretation, etc |
|---|---|
| 提及的人： | Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven; Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven; Ludwig van Beethoven; Joseph Haydn; Wolfgang Amadeus Mozart; Joseph Haydn; Wolfgang Amadeus Mozart; Ludwig van Beethoven |
| 資料類型： | 網際網路資源 |
| 文件類型 | 圖書, 網際網路資源 |
| 所有的作者/貢獻者： |
Philip G Downs |
| ISBN: | 039395191X 9780393951912 |
| OCLC系統控制編碼： | 25317243 |
| 描述： | xvi, 697 pages : illustrations ; 25 cm |
| 内容： | The transition from Baroque: music to 1760. The background to eighteenth-century thought -- The musician in society -- Music for private performance -- Music for public performance -- Words and music on the stage -- Embracing the new style: music 1760-80. The social and philosophical milieu -- The musician's livelihood -- Music in the home -- Concert and church music -- Opera -- Haydn, the developing master. The early years: 1732-60 -- The first Esterházy years: to 1770 -- The great stylistic break: 1770-79 -- Mozart, genius apparent. The wunderkind years: 1756-73 -- Early style -- The "Colloredo" years: 1773-81 -- The high Salzburg style -- The classical style at its apogee: 1780-1800. Years of revolution and change -- The changing status of the musician -- Solo and chamber music -- The preeminence of the symphony and the concerto -- The various faces of musical theater -- Haydn, the acknowledge master. The last years at Esterháza: 1780-90 -- Freedom at last -- Mozart, genius achieved. The last ten years: 1781-91 -- The great works of the final decade -- Beethoven: 1770-1827. The giant astride the centuries -- The entire oeuvre -- The eighteenth-century heritage at work in the early nineteenth century. Post-revolutionary changes in society and the arts -- The business and the institution of music -- Chamber music in the concert hall -- The loss of intimacy: performance triumphant. |
| 叢書名： | Norton introduction to music history. |
| 責任： | Philip G Downs. |
摘要：
In this, the fourth volume in the Norton Introduction to Music History series, Philip Downs traces the rise and decline of the "Classical" style from the birth of Haydn (1732) to the death of
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